Francis Poulenc (1959)
New production
Lesley Garrett makes her return to the operatic stage in a work of rare originality and stark emotional honesty.
A woman is sprawled alone on her bed. ‘It looks like the scene of a murder’ said Jean Cocteau, who wrote the play on which Poulenc’s opera is based. But the woman isn’t dead. She gets up and makes to leave, when the phone rings. It is her ex-lover. During the next 40 minutes we hear one side of an increasingly desperate conversation in which the woman tries anything to win him back. But it’s no use – she can’t get through to him. He hangs up, and she’s left whispering ‘Je t’aime’ to nobody.
La voix humaine is short in length, but not on emotional impact. Through the lone voice of the woman, Poulenc expresses all the pain and fear of rejection in the rawest fashion, whilst enveloping her voice in music of caressing warmth and sensuality.
Aletta Collins returns to Opera North to direct this one woman show, which will showcase Lesley Garrett’s talent in this heartbreaking portrayal of a relationship’s breakdown.
Sung in English
Lasts approximately 40 minutes
La Voix Humaine is presented in a double-bill with Dido and Aeneas with a 25 minute interval between the productions.
Comment from andrea
andrea said ago
Lesley was spellbounding from the very first second of this outstanding performance. What an absolute treat, I felt it was an intimate performance, Lesley's voice and her execution of the role were perfect. Congratulations Aletta Collins, this opera surely must connect with every woman who sees it. Amazing.
Comment from Robert
Robert said ago
This is an excelleny showcase for Lesley Garrett's dramatic skills. Her move into musicals has developed them without diminishing her singing & other operatic abilities. There is no trace of the characters she played in "The Mikado", "The Barber of Seville" & "The Merry Widow", some of her previous triumphs.
Instead on opening night she dominated the whole stage as a women in anguish, both in the opening view through the mirror, and when it shifted to the other side.
Her singing of Poulenc's music is brilliant. It is clear even when she is lying face down on the floor singing to the lino.
The lack of memorable tunes does not detract from the whole experience. I came out with my mind solely fixed on Lesley, even though I had seen Dido & Aeneas in between.