Leoš Janáček (1926)
Who Wants to Live Forever?
New production
Do you wish for immortality? Even if your endless life would be one without love?
When the celebrated opera diva Emilia Marty reveals the whereabouts of the lost will of Baron Jaroslav Prus, it seems as the long lasting squabbling over Prus’ vast estate might finally be resolved. But when Marty reveals an uncanny knowledge of events long gone and exerts an inexplicable power over the men surrounding her, it soon emerges that the enigmatic singer has secrets of her own.
Based on Karel Čapek’s eponymous absurd comedy, Janáček’s penultimate opera is a mystery thriller about desire and eternal life. Tackling the big questions of love, life and death, it keeps its audience guessing until the gripping end. Written in Janáček’s creative period alongside masterworks like Katya Kabanova and The Cunning Little Vixen, The Makropulos Case is often described as featuring the most transcendent music of all 20th century operas and contains some of the composer’s most radiant, life-affirming music.
Richard Farnes conducts this new production by acclaimed director Tom Cairns, which opens the 2012 Edinburgh International Festival.
Sung in English with English titles
Lasts approximately 2 hours
Comment from Simon Smith
Simon Smith said ago
Went to see the performance in Leeds on 27th October, with my wife and mother. Like many in the audience, this was the first time I'd seen, or listened to this opera. All three of us were impressed by the quality of the singing, orchestral playing and the acting (always a strength with this company). The set was ingenious, and the tension and drama kept us gripped throughout. And what a star in Ylva Kihlberg - very compelling.
Comment from Max Page
Max Page said ago
First time I've seen this opera and was totally blown away by the performance. Excellently sung and with an exceptional orchestra performance (even by Opera North standards) this is a show not to be missed.
Comment from Guest
Guest said ago
This is more like it. A splendid opera not performed often enough, presented with verve, humour and gorgeous singing and playing. This is what Opera North is so good at. The casting was brilliant and the pathos nicely judged. This has to be an operatic high spot of the year.
Comment from Per Ahlander
Per Ahlander said ago
I attended the opening performance at Edinburgh International Festival. I was already familiar with the music from the wonderful Söderström/Mackerras recording, but I had never seen it staged before, and I liked the entire production very much - both visually and musically. Just missed the sound of the Czech language a bit, but it is of course also good to be able to follow the story word by word without having to look at the surtitles.