For the second in our HAR Late series, a night of minimalist masterpieces. Featuring a cult film screening, an after-dark concert, and a late-night set for voice and electronics. Mesmerising. Intoxicating. Hypnotic.
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Combining the “…epic, remarkable cinematography of Ron Fricke with the swelling intensity and repeating motifs of Philip Glass’s celebrated original score” (The Guardian) join us for a screening of iconic masterpiece Koyaanisqatsi (1982).
Ko.yaa.nis.qatsi (from the Hopi language), n. 1. Crazy life. 2. Life in turmoil. 3. Life disintegrating. 4. Life out of balance. 5. A state of life that calls for another way of living.
Created between 1975 and 1982, the film is an apocalyptic vision of the collision of two different worlds — urban life and technology versus the environment. Powerful in its simplicity, with no text, narration, or dialogue, Glass’ memorable score is hypnotic.
Following the film, a unique chance to hear the Orchestra of Opera North perform a selection of minimalist works including Terry Riley’s In C.
Then, to close the evening, Australian vocalist Lotte Betts-Dean performs Jacob Cooper’s Silver Threads – setting a haiku attributed to the famous Japanese poet Matsuo Bashō for voice and electronic track, expanded into a full cycle by poets Greg Alan Brownderville, Tarfia Faizullah, Kristin Kelly, Dora Malech, and Zach Savich.
