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Given their splendid, highly affective music, riveting drama and continuing appeal and relevance to today’s audiences, it is hardly surprising that Handel’s late oratorios have often been described as his greatest operas. Accordingly, staged productions of Handel’s oratorios have increasingly entered the repertoire of the world’s great opera houses.

With Joshua, Opera North now takes on one of Handel’s greatest works from the height of his late creative period. Conveying the Old Testament story of Moses’ successor as he leads the Israelites in conquest of Canaan, it marries spiritual meditation and the most tender of love stories with the kind of epic plot line most people would associate with the latest Hollywood movie.

Handel deploys all of his vast experience as an opera composer in his highly theatrical and pictorial score. Strongly characterised, Joshua includes a marvellous series of set-piece moments, such as the collapse of the walls of Jericho and the miracle of the sun and moon standing still at the battle of Gibeon. As you would expect from the composer of the Messiah, Joshua also contains some of Handel’s most monumental choral music. The triumphal return of Othniel after his victory at Debir is celebrated in one of Handel’s most famous choruses, ‘See, the conqu’ring hero comes!’ best known in its incarnation as the hymn tune ‘Thine Be the Glory’.  

Joshua was first performed in 1748 at the Covent Garden Theatre in London. Its military themes struck an immediate chord with a public in a triumphalist mood following the defeat of the Jacobite uprising in 1746,  quickly turning the piece into one of the most successful of Handel's later oratorios. Now staged in Leeds Grand Theatre by director/designer Charles Edwards, this new presentation returns the work to its roots in the theatre.  Tackling the militaristic undertones of the original by exploring the costs of war on the individual and society, Edwards converts the work's original message into a passionate plea for peace and understanding.

Lasts approximately 2 hours 30 minutes.
Sung in English.

Financially supported by the Opera North Future Fund

Book Your Tickets

No future performances are planned for this production.

Pricing
Adult Ticket
£15 - £60
Visit

Click on the venue below to plan your visit.

Leeds Leeds Grand Theatre 30 Apr - 4 May 2013 8:30pm
Contact Details
46 New Briggate
Leeds
LS1 6NZ
Nearby

Box office: 0844 848 2720

Enjoy 20% off your bill at Sandinista (Cross Belgrave Street - New Briggate) on presentation of your Opera North ticket when placing their food order. To book a table call 0113 305 0372. Food is served till 10pm through the week with final orders at 9pm Friday and Saturday. Only valid on the day of the performance their ticket is for. Not to be used in conjunction with any other offer. 

Important Information

The theatre is easily accessible by public transport. It is approximately 10 minutes walk from the main bus station and 15 minutes walk from the train station with many buses stopping in the immediate vicinity. For the most up to date information on local bus and train times, please check WYMetro. There is also a taxi rank outside the theatre although we recommend booking a taxi in advance, particularly on a Friday or Saturday evening.

Parking is available at various nearby car parks, including Edward Street/Templar Street and the St John's and Merrion Centre shopping malls. A limited amount of on street parking available near the theatre is free after 6pm but this does tend to fill up very quickly.

Comments

What you say

Comment from Jane Payne

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Jane Payne said ago

Outstanding memorable performance. I could have listened to the counter tenor all evening, such a sensitive controlled voice. The chorus and main singers all put their all into their singing and acting. They were obviously enjoying themselves and it came across. The sets were imaginative, the lighting exciting, set changes with props really worked and didn't spoil the flow. The orchestra was, as usual without fault. Well done Opera North and all involved, a really enjoyable performance from all.

Comment from james hazan

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james hazan said ago

Creative team O.K. Singing!!!? leaves much to be desired,spoiled by a dilettante Joshua.the rest need improvement.

Comment from John Mitchell

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John Mitchell said ago

Saw Joshua last night - a totally absorbing evening. Out of Faust, Otello, La Voix Humaine, Dido and Aeneas, the best evening I have had at ON this season so far. Charles Edwards staging worked brilliantly, it was dramatically and musically exciting. All the cast and orchestra were excellent and Fflur Wyn and Jake Arditti outstanding.

Comment from Ted

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Ted said ago

A brilliant and thought-provoking interpretation. The re-siting of the oratorio in modern Israel worked amazingly well, and every little detail of the production held together to enrich the interpretation. When the conqu'ring hero turned out to be an exhausted and bloodied lad, all sorts of possibilities arose: whose blood was it on his hands? The, was this saviour of the people the suffering servant of Isaiah? Then, when Achsah cradled him in her arms, was this a Pieta? And Joshua presided over all from above, guarded by the angel. And so on ... A really intelligent production. The orchestra was just right; the singing was good; but as for Jake Arditti - what a find! Superb voice - and he didn't mind being half drowned on stage with real water, and could still come out of it singing.

Comment from Brigitte McCartney

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Brigitte McCartney said ago

What an outstanding performance!! Luckily a friend had urged me to get a ticket. Superb singing , acting and as a great bonus the effective staging. I can only agree with the comment of 'The Stage' on this page.
Hurry to get a ticket for Saturday's performance.

Comment from merrin

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merrin said ago

What a treat and how marvellous to see Handel's oratorio staged. The audience seemed to not know how to react, and they maintained an oratorio-worthy hush until Achsah's mellifluous aria 'the thrush and the linnet', which they could not resist. The tender scenes between Achsah and Othniel counter balance the dark themes of war and and loss. The continuo playing superbly complemented the aria singing - a most impressive achievement when the player and the singers surely cannot see each other. Caleb's powerful yet tender singing conveys both gravity and humanity and Othniel soared above it all in golden voice.
Don't miss this, it might be a once in a lifetime experience.

Comment from Scott Hood

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Scott Hood said ago

I have just seen Joshua this evening and it was fantastic. Fflur and Jake in particular sang brilliantly. Very enjoyable evening.

Comment from Anna

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Anna said ago

Saw it tonight and really enjoyed it. Othniel and Achsah both sang beautifully.

Comment from Margaret

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Margaret said ago

That had me scratching my head too, Stephen..... I saw Judas Maccabaeus at the Proms last year & as far as I was concerned See the Conqu'ring Hero was in that oratorio. However, never having seen Joshua, I'll bow to your superior knowledge. You learn a little something every day......

Comment from Stephen Whitaker

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Stephen Whitaker said ago

For all those confused like me....'See, the Conqu’ring Hero Comes!' was composed during the summer of 1747 for Joshua. In the wake of its popularity, probably in 1751, Handel added it to Judas Maccabaeus which dates from 1746, and so it forms a legitimate part of both oratorios.

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What the critics say

a thought-provoking piece of theatre that deserves to be more widely seen than its short current run allows. [...] Though the staging is simple, it is consistently effective - Edwards lights his minimal sets, which make prominent use of the backstage fabric of the Grand Theatre, with considerable flair.

The Stage - Read full review

Conductor Stephen Layton draws a fine range of expressive colour, from the warbling woodwind that accompanies Achsah's mellifluous praise of the linnet and the lark, to some strident trumpeting sufficient to bring down the walls of Jericho.

The Guardian - Read full review

Henry Waddington cuts a stalwart figure, dignified or passionate vocally as occasion demands and able to command the stage even in stillness. Fflur Wyn’s sweetly agile soprano as his daughter Achsah and the soaring and intense counter-tenor of the outstanding Jake Arditti as her lover Othniel counter-balance all the martial might.

What's on Stage - Read full review

The orchestra, with reduced strings plus chamber organ, harpsichord and continuo cello (Sally Pendlebury), were effervescent in fast music and eloquent in the slow – especially the Act II sun-and-moon miracle, where Handel's music is at its most ethereal

The Observer - Read full review

Judging from comments overheard, I don't think anyone had imagined such an exhilarating experience, I certainly hadn't. Opera North have demonstrated that Joshua - one of Handel's greatest oratorios - clearly belongs in the theatre.

Opera Britannia - Read full review

Additional Information

Cast
  • Joshua Daniel Norman
  • Achsah Fflur Wyn
  • Othniel Jake Arditti
  • Caleb Henry Waddington
Creative Team
  • Conductor Stephen Layton (ex 3 May)
  • Conductor Anthony Kraus (3 May)
  • Director Charles Edwards
  • Set and Lighting Designer Charles Edwards
  • Costume Designer Gabrielle Dalton
Offers & Discounts

Tuesday - Friday

  • Retired over 60: £3 off (Excludes £15 tickets)
  • Leeds Card Holders £3 off (Excludes £15 tickets)
  • Under 26 or full time students: £10 best available (Excludes Dress Circle)
All week
  • Family ticket: 50% off for up to four Under 18s with each adult ticket
  • Groups of 10+: 20% off plus free seat for the organiser
  • Income Support, Pension Credit, JSA: £10 best available (excludes Dress Circle)
  • Disabled people: 25% off (essential carer free)
On the Day:
  • £10 tickets (limited availability) 
Restaurant Deals

We’ve teamed up with Piazza by Anthony in Leeds to offer you an exclusive pre-theatre menu. Enjoy 2 Courses for £17.95 or 3 Courses for £21.95. Please use the promotion code ‘OPERANORTH’ when booking your table online or by calling 0113 2470995. This special offer is also available without booking, simply turn up and show your opera tickets to the receptionist.
Only valid on the day of the performance your ticket is for. Not to be used in conjunction with any other offer.

Enjoy 20% off your bill at Sandinista (Cross Belgrave Street - New Briggate) on presentation of your Opera North ticket when placing their food order. To book a table call 0113 305 0372. Food is served till 10pm through the week with final orders at 9pm Friday and Saturday. Only valid on the day of the performance their ticket is for. Not to be used in conjunction with any other offer.

Just a short walk from the theatre, another fantastic dining option is The Reliance (76-78 North Street).Treat yourself to the pre-theatre menu served between 5:30 and 6:30pm, Mon - Sat. Enjoy 2 courses for £13.95 or 3 courses for £17.90. Call 0113 2956060 to book a table. 

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