Relaxed: The Marriage of Figaro

Wednesday 18 February

Opera

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Enjoy a performance of The Marriage of Figaro in a relaxed environment.

Designed with slight adaptations, for anyone who may benefit from a theatre experience without complete silence and darkness, this performance of The Marriage of Figaro brings you comedy from a country house.

It’s supposed to be the happiest day of Figaro and Susanna’s lives, but this is opera, so there’s plenty of time for some plot twists before they say ‘I do’. With Count Almaviva looking set to make a move on the bride-to-be, the young couple must hatch a clever plan to secure their happy ending. Cue a whirlwind of secret scheming and surprise revelations.

This brand-new production of The Marriage of Figaro re-imagines the mischief in a typical modern country home. Mozart’s music, performed live by the Orchestra of Opera North, fizzes with fun and explores the depths of emotion. It all adds up to an invitation that’s too good to turn down.

Specific details on how this brilliant production of The Marriage of Figaro has been adapted will be available soon.

 

Alternatively, for those looking for more traditional performances, those can be found here.

Supported by Laidlaw Opera Trust.

Group bookings

For groups bookings, please contact our box office on 0113 223 3600 or email boxoffice@operanorth.co.uk

Price

£20
Groups: 1 free ticket for every 10 booked

Venue
  • Leeds Grand Theatre

Start time
1pm

Running time
Approximately 3 hours 15 minutes, including one interval

Language
Sung in Italian with English subtitles

Buy your programme in advance
Digital (£4) or printed (£6 + £2.50 postage)

Audio flyer
▶ 
Listen to the audio flyer

Who are relaxed performances for?

Our relaxed performances are slightly adapted to ensure a theatre experience that is inclusive and welcoming for all, without complete silence and darkness.

The performances are designed for anyone who would feel more comfortable in an informal atmosphere. This could include (but is not limited to) people with sensory or communication needs, people who have a learning disability, people living with dementia, and people who may need to leave and return to their seat or access the toilets during the performance. Anyone who may benefit from this adapted experience is welcome!

Find out more about relaxed performances on our Relaxed Performances page.

If you’re lucky enough to be studying the Marriage of Figaro, our other performances may be better for you! Take a look at our main event listing for more information.

What to expect at a relaxed performance?

  • A relaxed attitude to people leaving and returning whenever they need to.
  • An understanding of the different ways people express their enjoyment of the show.
  • Bright lighting and loud noises will be reduced.
  • The lights in the theatre will remain on low.
  • Quiet spaces will be available and clearly signposted if people need a break.
  • There will be clear signs and friendly, trained staff available to help.
  • You can take as long as you need to leave the auditorium at the end, and our staff will show you where to go.
  • An information pack will be sent in advance with an easy-to-read synopsis and guide to the theatre.
  • You can ask to have empty seats around your booking.

Please note that whilst there will be fewer people in the audience than at our other performances, it’s still possible that the theatre might feel a bit busy! If you have any problems, chat to one of our friendly members of staff, and they’ll be more than happy to help.

You can contact our friendly box office team with any questions, to book by phone or to request extra space next to seats on 0113 223 3600 or boxoffice@operanorth.co.uk

Find out more about our access offer
More accessible performances

Story

Figaro and Susanna, both servants to Count Almaviva, are soon to be married. Susanna is worried that the Count will exercise his feudal right to bed any of his servant girls before the night of their wedding but Figaro vows to outmanoeuvre the Count’s advances.

The old house keeper Marcellina demands that Figaro repay his overdue loan. She reminds him that he had vowed to marry her if unable to pay.

The Count’s page, Cherubino asks Susanna for help. The Count had caught him with the gardener’s daughter and as punishment, intends to send him away for military service.

Figaro sends an anonymous letter to the Count, warning him of adulterers, in the hopes of distracting him during the wedding that evening.

The Countess is lamenting her husband’s infidelity when Susanna arrives with Cherubino, planning to disguise him as a woman and entrap the Count in an act of infidelity. As they are finding a dress for him, the Count suddenly appears, highly suspicious after reading Figaro’s letter. Cherubino only just escapes.

Marcellina arrives to demand that Figaro honours his promise and marry her. The Count happily announces that the wedding is postponed until Figaro’s debt is resolved.

 

The Count orders Figaro to honour his promise and marry Marcellina. However, Figaro argues that he cannot marry without the permission of his parents, which he cannot obtain because he was stolen from them as a baby. Marcellina comes to realise that Figaro is in fact her own long-lost son. Everybody rejoices and Figaro’s debt is called off.

Susanna and the Countess hatch a plan of their own to entrap the Count. They send him a letter, inviting him to meet Susanna that night in the garden…

The Countess and Susanna swap clothes in order to fool the Count. When he arrives in the garden and sees his wife disguised as Susanna, he declares his love for her. Figaro arrives and recognises his bride disguised as the Countess. The Count witnesses Figaro proudly declaring his love to her and fooled by the disguise, shouts for the guards.

Everybody flocks to the commotion, as the Count demands that Figaro be arrested for seducing his wife. Suddenly the real Countess appears, revealing her true identity and the Count realising he’s been caught red-handed begs for forgiveness…

Cast & Creative

Emyr Wyn Jones
Emyr Wyn Jones

Figaro

Claire Lees

Susanna

A woman with long dark hair looking into the camera.
Charlie Drummond

Countess Almaviva

A black and white head-shot of a man with dark hair wearing glasses smiling.
Hector Bloggs

Count Almaviva

Frances Gregory smiling
Frances Gregory

Cherubino

A bearded man wearing a suit, looking at the camera
Jamie Woollard

Doctor Bartolo

A man with blonde hair and a purple shirt.
Cameron Mitchell

Don Basilio

A black and white photograph of a woman with long hair smiling.
Olivia Rose Tringham

Marcellina

Ross McInroy
Ross McInroy

Antonio

A black and white photograph of a woman with long dark hair leaning her head on her hand.
Emily Christina Loftus

Barbarina

The Chorus of Opera North singing
Chorus of Opera North
The Opera North Orchestra playing their instruments at a performance
Orchestra of Opera North
Oliver Rundell

Conductor

A woman looking over her shoulder at the camera
Louisa Muller

Director

A black and white portrait of a woman with long blonde hair looking at the camera
Rebecca Howell

Choreographer

Madeleine Boyd

Set & Costume Designer

A picture of a man wearing a scarf
Malcolm Rippeth

Lighting Designer

Relaxed Performance: The Marriage of Figaro
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