Rigoletto

Giuseppe Verdi

18 October - 20 November 2026

Opera

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This joker’s wild.

In a world ruled by an entitled, ruthless elite, Rigoletto leads a double life. Within the corrupt court he is a jester, existing on the margins and despised for his difference. Outside the court he is a loving, fiercely protective father. When his two worlds collide, bitterness and a quest for revenge will see Rigoletto struggling to outrun a curse.

This bold, award-winning production by Femi Elufowoju Jr was lauded with rave reviews and star ratings when it was first performed in 2022. It is opera at its most gripping: a thrilling tale of power, devotion and revenge with unforgettable music to match, including one of opera’s most famous tunes.

 

“a bold, innovative and purposeful re-imagining”
★★★★★ — The Telegraph

“This new take on Rigoletto really works… chillingly excellent…”
★★★★ — The Guardian

“a landmark production… spectacular…”
★★★★★ — Bachtrack

Price

From £20*
Includes £2.50 booking fee

* Prices and booking fees vary per venue

Venues
  • Leeds Grand Theatre
  • Newcastle Theatre Royal
  • Lowry, Salford Quays
  • Theatre Royal, Nottingham

Running time
Approximately 2 hours 40 minutes
(includes one 20-minute interval)

Language
Sung in Italian with English subtitles

Buy your programme in advance
Digital (£4) or printed (£6 + £2.50 postage)

Age guidance and content warning
Parental Guidance, contains some adult themes including violence against women, abduction and murder.
Act III includes flashing lights.

Accessibility
Audio described and relaxed performances
Listen to the audio flyer

Save on your booking
£20 new to opera tickets
£15 under 30s (free in Leeds if 16-20)
£10 child tickets
Discounts for groups and schools
Opera Flexi Pass
Multibuy packages

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The Sound of Music

The timeless musical featuring our wonderful Orchestra and Chorus of Opera North.
9 Jul – 1 Aug at Leeds Grand Theatre.

 

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Story

The womanising Duke of Mantua is throwing a party in his basement – a private art gallery. The Duke mentions the women that he is eyeing up, and Rigoletto, the Duke’s jester, mocks the husbands of his employer’s conquests. He also mocks Monterone, a statesman whose underage daughter has been seduced, who fires a curse back at Rigoletto.

Rigoletto, terrified by the curse, returns to his safehouse to check on his own daughter Gilda, who he keeps hidden away. But in spite of his precautions, the Duke, disguised as a poor student, follows his Head of Security Sparafucile to Rigoletto’s hideout. He swears his love for Gilda, who falls for him completely.

Later that night, smarting from Rigoletto’s insults, a group of the Duke’s guests plot to kidnap Gilda (who they actually believe at this point to be the jester’s secret mistress). Rigoletto is tricked into assisting with the abduction and is distraught when he realises what has happened. The curse has begun…

The next morning, Rigoletto returns to the Duke’s court, desperately searching for Gilda. He tries to be nonchalant but is overcome with fear and anger, and begs for his daughter’s return. Suddenly Gilda appears, devastated. She confesses to her father everything that has happened.

Rigoletto is furious and swears he will have revenge on the Duke, but Gilda pleads for mercy, as she is still deeply in love with him. Rigoletto makes a plan for both him and his daughter to leave Mantua.

Rigoletto has arranged for Sparafucile (the Duke’s Head of Security) to assassinate his own boss. Sparafucile will use his sister Maddalena as bait in their secret lair – a location on the other side of town.

The Duke arrives and flirts with Maddalena. Gilda, who Rigoletto has brought to watch to convince her of the Duke’s true nature, is heartbroken. Rigoletto sends her away to get ready for their departure from Mantua, and then confirms the arrangements with Sparafucile. But Maddalena, hearing the plan, begs her brother to spare the man that she too has now fallen in love with. He says that unless Maddalena can find another victim before midnight, the Duke will die.

Gilda, dressed as a boy  and ready to leave, overhears and decides to sacrifice herself to save the man she still loves. She is stabbed by Sparafucile. Rigoletto returns to collect the body bag in which he expects to find the dead Duke, but when he opens it he finds his own daughter, fatally wounded. The curse has come to pass.

Opera-going FAQs

How do I book?

Book online or speak to one of our friendly Box Office team. Don’t forget to check what discounts you might be eligible for.

Phone: 0113 223 3600, 12pm – 6pm, Monday – Friday
Email: boxoffice@operanorth.co.uk
In person: Book your appointment here, 12pm – 2pm, Monday – Friday

What should I wear?

Whatever you want, it’s your night! There’s no dress code, so you can go all out and make it red-carpet-worthy, or keep it laid-back with your comfiest jeans.

What’s the opera etiquette?

There’s nothing special to know. As with all live theatre, just be sensitive to the people around you, and make sure to put your phone away during the performance.

Will I be able to follow the story?

Yes! While this performance is sung in the original Italian, English subtitles will be shown on big screens at the side of the stage, so you can understand every word.

Need to know more?

Find answers to more questions here, particularly handy if it’s your first trip to the opera!

Cast & creative

A black and white portrait of a man with a beard and short dark hair smiling.
Leonardo Sánchez

Duke of Mantua (ex. 31 Oct, 5 & 20 Nov)

A black and white close-up of a man with short dark hair and a beard, smiling.
Luke Norvell

Duke of Mantua (31 Oct, 5 & 20 Nov)

A black and white portrait of a black man with short dark hair and a beard.
Blake Denson

Rigoletto

Jasmine Habersham

Gilda

Callum Thorpe

Sparafucile

A black and white portrait of a man with a shaved head and styled white beard.
Sir Willard White

Count Monterone

A black and white portrait of a woman with long dark hair looking at the camera.
Alyona Abramova

Maddalena

Themba Mvula

Marullo

A black and white portrait of a man with stubble and short dark hair.
Thomas Elwin

Matteo Borsa

A man in a white shirt with short hair.
Patrick Lange

Conductor

Femi Elufowoju Jr

Director

Rae Smith

Set and Costume Designer

Howard Hudson

Lighting Designer

Laila Diallo

Choreographer

A black and white portrait of a woman with medium length dark hair wearing a white jumper.
Alison de Burgh

Fight Director

Rigoletto
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